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Year In ReView: A collection of Vanyaland’s favorite tracks of 2018

The year 2018 can, will, and should be defined by many things. But for us here at Vanyaland, it was the year of the song. 2018 was a fantastic year for music, singles in particular -- short bursts of sonic brilliance that hit like a fist and lingered like a kiss, all in line with our ever-dwindling attention spans. Over the past 12 months Vanyaland Editor-in-Chief Michael Marotta and Assistant News Editor Victoria Wasylak documented all these brilliant songs as they hit each day in their New Sounds and Fast Tracked columns, daily hype pieces presenting what, in our opinions, were the best tracks of that particular day. Below is a collection of those columns from Marotta and Wasylak, as they were written that very day, shaping the sound of Vanyaland as one based deeply in alt-pop, but extending out to reflect not only Boston's diverse music scene, but the varied tones around the world that made the year so great. This collection is likely different than the other Best of 2018 lists floating around the internet, and that's by design -- here at Vanyaland, nothing trumps our genuine interest in a song we love and admire.

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NIGHTS, ‘Gone’: June 8

NIGHTS declare a bold arrival with alt-rock anthem ‘Gone’

It’s 2018 and the world is an absolute shit show, but a simple song still has the ability to stop us in our tracks. “Gone”, the new single from Los Angeles project NIGHTS, surfaces today (June 8) from a host of different inspirational places and eras, but hugs the listener with such a familiar warmth, we can’t help but feel an instant connection.

Much of that has to do with the way “Gone” soars from the speakers — an intrepid mix of modern polish and songwriting smarts aided the the reckless ambition of ’90s guitar-rock grit. The track features Marshall Gallagher of Vanyaland faves Teenage Wrist, and it’s a bold declaration, bursting with emphatic emotion, from NIGHTS’ Mel Denisse.

“For 10 years I’ve searched for likeminded people who could catch the world I wanted to create musically,” Denisse tells us. “This is the first song where I feel like that’s happened. A lot of my influences are late ’90s, early 2000s alt-rock with big sound wrapped in dreamy shoegaze aspects. Marshall was able to track some guitar parts that definitely added another layer of that to the song, which was so special to have.”

— Michael Marotta

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