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Year In ReView: A collection of Vanyaland’s favorite tracks of 2018

The year 2018 can, will, and should be defined by many things. But for us here at Vanyaland, it was the year of the song. 2018 was a fantastic year for music, singles in particular -- short bursts of sonic brilliance that hit like a fist and lingered like a kiss, all in line with our ever-dwindling attention spans. Over the past 12 months Vanyaland Editor-in-Chief Michael Marotta and Assistant News Editor Victoria Wasylak documented all these brilliant songs as they hit each day in their New Sounds and Fast Tracked columns, daily hype pieces presenting what, in our opinions, were the best tracks of that particular day. Below is a collection of those columns from Marotta and Wasylak, as they were written that very day, shaping the sound of Vanyaland as one based deeply in alt-pop, but extending out to reflect not only Boston's diverse music scene, but the varied tones around the world that made the year so great. This collection is likely different than the other Best of 2018 lists floating around the internet, and that's by design -- here at Vanyaland, nothing trumps our genuine interest in a song we love and admire.

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Meg Myers, ‘Numb’: May 22

Meg Myers retaliates against the prodding weight of the world on ‘Numb’

When you take Meg Myers to the disco as her album drops this summer, make sure you don’t fucking touch her without asking. Pro tip: This advice also applies to everyone, everywhere, in any given situation.

Myers has released the video for her lead single “Numb”, and it rips society a new one. Dealing directly with the constant poking and prodding women experience on the daily, Myers erupts with a fury directed at the pushiness of both her record label and society. “The song is about how I was feeling when my record company was looking for something out of me that just didn’t feel right for many reasons,” Myers says. “I was frustrated and it came through in this song. I discovered that this feeling was something I’ve experienced my whole life and decided to look within and confront it. I wanted the video to make the viewer experience this uncomfortable feeling.”

We’re not all signed to record labels, but we, as women, are all subject to the same routine bullshit, which conjures up an unfortunate sense of relatability in the video.

— Victoria Wasylak

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