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Year In ReView: Our 30 favorite songs of 2017

At several points throughout 2017, a simple question was asked: What are you listening to? Whether we were fielding it or asking it, the reply was often specific to a singular song. With all due respect to the time-honored album and EP -- and from Slowdive's self-titled to Kendrick's DAMN. to Quiet Giant's You're in Heaven, there were quite a few of note -- this year was all about the song. Songs of passion, songs of empowerment, songs of not giving a damn and songs of giving every last damn imaginable soundtracked a year that tested the will of the people. As Daniel Brockman notes in his intense Year in Pop essay for Vanyaland, pop music is headed down a dangerous path; but it's also merging into one giant streamable playlist, where the underground battles for clicks and listens with Top 40, and this year's Vanyaland year-end recap -- a mere selection of our staff's favorites, and by no means a silly declaration of the absolute "best" -- reflects that. Our staff was asked to come up with their faves, and these are the responses, presented alphabetically. The lead entry, via Toronto's Alvvays, feels like an appropriate jump-off, and the featured image of the up top was shot by the late, great Eddy Leiva, from their October show at The Paradise.

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Camino 84, “Sounds Fake But OK”

We love summer jams. Literally can’t get enough of them, and each year we start our usual Song of the Summer! bullshit around February, when we’re still frozen in ice that’s as frigid as Boston’s locals. This year we could have waited until August and landed on the same result: Camino 84’s infectious “Sounds Fake But OK.” The Boston-based producer born Ryan Lucht teams with vocalist Sidney Gish for a glowing disco-ish number that’s warm, woven, and familiar, all while remarkably astute in its awareness of inspiration. But “Sounds Fake But OK” never allows those influential whispers to become a scream, and this summertime pop is of the sweetest variety. Camino 84 takes so many different elements of style and sound and filters them through his own dance music lens, the end result is pure original bliss. It’s a throwback track of modern pursuits and futuristic ecstasy. Celebrate summer all year round.

— Michael Marotta

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