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Year In ReView: Our 30 favorite songs of 2017

At several points throughout 2017, a simple question was asked: What are you listening to? Whether we were fielding it or asking it, the reply was often specific to a singular song. With all due respect to the time-honored album and EP -- and from Slowdive's self-titled to Kendrick's DAMN. to Quiet Giant's You're in Heaven, there were quite a few of note -- this year was all about the song. Songs of passion, songs of empowerment, songs of not giving a damn and songs of giving every last damn imaginable soundtracked a year that tested the will of the people. As Daniel Brockman notes in his intense Year in Pop essay for Vanyaland, pop music is headed down a dangerous path; but it's also merging into one giant streamable playlist, where the underground battles for clicks and listens with Top 40, and this year's Vanyaland year-end recap -- a mere selection of our staff's favorites, and by no means a silly declaration of the absolute "best" -- reflects that. Our staff was asked to come up with their faves, and these are the responses, presented alphabetically. The lead entry, via Toronto's Alvvays, feels like an appropriate jump-off, and the featured image of the up top was shot by the late, great Eddy Leiva, from their October show at The Paradise.

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Moses Sumney, “Quarrel”

If there’s a Sublime Soul movement, Moses Sumney is fearlessly at its forefront. Equal parts Terence Trent D’Arby, Nina Simone, Stevie Wonder, and John Barry, Sumney’s “Quarrel” — a standout track from his debut Aromanticism — sounds unlike anything else released this year, and you’d be hard-pressed to find its equal in any other year, for that matter. Is it falsetto soul with dreamlike symphonic undercurrents? Experimental pop with a human heartbeat? An achingly lovely song about how aching it is to not be in love? It is likely all of those things, as well as some other things that have yet to be identified — but with music as adventurous as this, half of the fun is in the discovery and identification. Countless listens in, and I’m still discovering how malleable Sumney’s arrangements can be, how confidently he defies easy pigeonholing.

— Zeth Lundy

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