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What a ‘film experience’ at Boston Calling might have looked like — with Vanyaland as curator

(l to r) Baby (ANSEL ELGORT), Bats (JAMIE FOXX), Darling (EIZA GONZALEZ) and Buddy (JON HAMM) decide on doing the heist in TriStar Pictures' BABY DRIVER.

As you might have noticed, the first batches of promotion for this year’s Boston Calling included a curious little tagline near the bottom of the poster. This year’s Memorial Day weekend festival, which starts today at Harvard Athletic Complex, was to include a “Film Experience Curated by Natalie Portman,” the actress and Harvard grad, and many people were wondering what the hell was up with that. Only a few months later did we find out that it’d been cancelled (though we’re not entirely sure, we can guess it might have had something to do with her having given birth to twins, which would complicate anyone’s schedule), and replaced by a Hannibal Buress-led comedy programme. It’s a huge loss, but we’re glad Buress and company stepped in.

It was briefly mentioned at an Allston Civic Association meeting by a festival organizer that Portman’s experience would have centered around “women in film”, and that got us to thinking. If we had control of a film experience to be tied into the festival, what would we show? And we got to thinking, and made up a little schedule for you below. Three of the films are upcoming releases (of course we’ve gotta pay love to what’s coming down the pipeline), but the rest are available to watch on your favorite streaming service or to rent from your preferred digital storefront.

Here’s what the Vanyaland Film Experience at Boston Calling would look like. You can have a "film experience" right there on your couch.

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Saturday: Green Room [Amazon Prime]

What better way to end a big day of festival going with the wholesale slaughter of both a band and a group of neo-Nazis? This nasty little thriller from Jeremy Saulnier (Blue Ruin) came out last spring, and was one of our favorite movies last year even before the political climate shifted under our feet. A punk band (featuring, among others, the late Anton Yelchin) winds up playing a venue in deep in the Pacific Northwest woods, and discovers that the venue is both run by Neo-Nazis and that a man has been murdered in the green room that they’re all gathered in. The Nazis, led by a terrifying Patrick Stewart want them out and want them dead, and the punks have to fight back or die. It’s intense and brutal as hell, with a tight screenplay and even better direction. With the rise of insidious forces in our country, it feels more appropriate than ever to screen something like this. Come for the Nazi slaughter, stay for the Steely Dan jokes.

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