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Beth Stelling returns to Somerville for a night at The Armory
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TIFF 2022: Five films we’re excited about at this year’s festival
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TIFF 2021 Review: ‘Petite Maman’ is beautiful, artificial
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TIFF 2021 Review: ‘Zalava’ is a swell Iranian exorcism thriller
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TIFF 2021 Review: Rob Savage’s ‘DASHCAM’ is bugnuts crazy
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TIFF 2021 Review: ‘The Electrical Life of Louis Wain’ fails to shock
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TIFF 2021 Review: ‘Mothering Sunday’ brings the explicit back to the period piece
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TIFF 2021 Review: ‘Silent Night’ puts the ‘typic’ back in ‘apocalyptic comedy’
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TIFF 2021 Review: An excellent Tim Roth endures ‘Sundown’
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TIFF 2021 Review: ‘Listening to Kenny G’ has sympathy for smooth jazz
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TIFF 2021 Review: ‘Encounter’ is a missed connection
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TIFF 2021 Review: Antoine Fuqua’s ‘The Guilty’ is a solid remake
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‘Good Joe Bell’ Review: Pure Dad Energy undone by narrative trickery
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