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Mic’d Up: Robert Kelly, Anthony Jeslenik, Drew Lynch
The ReVue Stage: Alex Edelman’s ‘Just For Us’ hits hard in the best ways
V3 Weekend: Drop Nineteens, Matt Rife, Seagrass 4/20 Film Festival
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Who watches ‘The Watchers’ trailer? You, hopefully
The new f***ing ‘Deadpool and Wolverine’ trailer is here
‘Abigail’ Review: Pirouettes and chewed-up necks
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Sundance 2020
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Sundance 2020: Meek Mill rules the great ‘Charm City Kings’
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Sundance 2020: Almereyda’s ‘Tesla’ is what biopics should be
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Sundance 2020: Lee Isaac Chung’s ‘Minari’ is another winner from A24
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Sundance 2020: ‘Worth’ isn’t worth your time
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Sundance 2020: ‘Downhill’ is an avalanche of disappointment
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Sundance 2020: Come and fall in love with ‘Jumbo’
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Sundance 2020: Andy Samberg is trapped in the wonderful ‘Palm Springs’
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Sundance 2020: Don’t stay in ‘The Night House’
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Sundance 2020: St. Vincent’s ‘Nowhere Inn’ is a bizarre comedy
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Sundance 2020: Brandon Cronenberg’s ‘Possessor’ is great cyberpunk
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Sundance 2020: ‘Into the Deep’ is a genuinely chilling true crime doc
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Sundance 2020: ‘Never Rarely Sometimes Always’ is a devastating, powerful drama
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