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The ReVue Stage: Alex Edelman’s ‘Just For Us’ hits hard in the best ways
V3 Weekend: Drop Nineteens, Matt Rife, Seagrass 4/20 Film Festival
Kathleen Madigan prepares a ‘Potluck’ of laughs for The Wilbur
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The new f***ing ‘Deadpool and Wolverine’ trailer is here
‘Abigail’ Review: Pirouettes and chewed-up necks
V3 Weekend: Drop Nineteens, Matt Rife, Seagrass 4/20 Film Festival
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’80 For Brady’ Review: The retirement package
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‘Bodies Bodies Bodies’ Review: Deadly games and Tik-Tok dances
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‘The American Society of Magical Negroes’ Review: A miss
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Adam Sandler has a ‘Hubie Halloween’ in this Marblehead-filmed Netflix movie
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Raunch it up with the red-band trailer for ‘Joy Ride’
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Take a ‘Bad Trip’ with Eric Andre in his new prank comedy
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‘Barb and Star Go to Vista Del Mar’ Review: A cult delicacy
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‘Strays’ Review: Bow-wow-wow yippie-yo-yippie-yay
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‘The Unbearable Weight of Massive Talent’ Review: The meme is over
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Get stoned with the new trailer for Judd Apatow’s ‘The King of Staten Island’
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Sundance 2022: Karen Gillan faces off with her clone in Riley Stearns’ ‘Dual’
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TIFF 2023: ‘Hit Man’ is a hit parade for Glen Powell and Richard Linklater
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